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Leroux, Gaston, 1868-1927

"The Phantom of the Opera"

When the ceiling lit up
and the forest became visible around us, the viscount's stupefaction
was immense. That impenetrable forest, with its innumerable
trunks and branches, threw him into a terrible state of consternation.
He passed his hands over his forehead, as though to drive away a dream;
his eyes blinked; and, for a moment, he forgot to listen.
I have already said that the sight of the forest did not surprise
me at all; and therefore I listened for the two of us to what was
happening next door. Lastly, my attention was especially attracted,
not so much to the scene, as to the mirrors that produced it.
These mirrors were broken in parts. Yes, they were marked and scratched;
they had been "starred," in spite of their solidity; and this proved
to me that the torture-chamber in which we now were HAD ALREADY
SERVED A PURPOSE.
Yes, some wretch, whose feet were not bare like those of the victims
of the rosy hours of Mazenderan, had certainly fallen into this
"mortal illusion" and, mad with rage, had kicked against those
mirrors which, nevertheless, continued to reflect his agony.
And the branch of the tree on which he had put an end to his own
sufferings was arranged in such a way that, before dying, he had seen,
for his last consolation, a thousand men writhing in his company.


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