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Leroux, Gaston, 1868-1927

"The Phantom of the Opera"


The walls of this strange room gave the patient nothing to lay
hold of, because, apart from the solid decorative object, they were
simply furnished with mirrors, thick enough to withstand any onslaught
of the victim, who was flung into the chamber empty-handed and barefoot.
There was no furniture. The ceiling was capable of being lit up.
An ingenious system of electric heating, which has since been imitated,
allowed the temperature of the walls and room to be increased
at will.
I am giving all these details of a perfectly natural invention,
producing, with a few painted branches, the supernatural illusion
of an equatorial forest blazing under the tropical sun, so that no
one may doubt the present balance of my brain or feel entitled
to say that I am mad or lying or that I take him for a fool.[11]
----
[11] It is very natural that, at the time when the Persian was writing,
he should take so many precautions against any spirit of incredulity
on the part of those who were likely to read his narrative.
Nowadays, when we have all seen this sort of room, his precautions
would be superfluous.
I now return to the facts where I left them.


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