Plenty of these rooms have been seen since, mainly at exhibitions:
they are called "palaces of illusion," or some such name.
But the invention belongs entirely to Erik, who built the first
room of this kind under my eyes, at the time of the rosy hours
of Mazenderan. A decorative object, such as a column, for instance,
was placed in one of the corners and immediately produced a hall
of a thousand columns; for, thanks to the mirrors, the real room
was multiplied by six hexagonal rooms, each of which, in its turn,
was multiplied indefinitely. But the little sultana soon tired
of this infantile illusion, whereupon Erik altered his invention
into a "torture-chamber." For the architectural motive placed
in one corner, he substituted an iron tree. This tree, with its
painted leaves, was absolutely true to life and was made of iron
so as to resist all the attacks of the "patient" who was locked into
the torture-chamber. We shall see how the scene thus obtained was twice
altered instantaneously into two successive other scenes, by means
of the automatic rotation of the drums or rollers in the corners.
These were divided into three sections, fitting into the angles
of the mirrors and each supporting a decorative scheme that came into
sight as the roller revolved upon its axis.
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