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Leroux, Gaston, 1868-1927

"The Phantom of the Opera"

But Erik did not show himself;
and I felt none the more comfortable for that.
I must explain my whole plan. I thought that the monster,
being driven from his house by jealousy, would thus enable me to
enter it, without danger, through the passage in the third cellar.
It was important, for everybody's sake, that I should know exactly
what was inside. One day, tired of waiting for an opportunity,
I moved the stone and at once heard an astounding music:
the monster was working at his Don Juan Triumphant, with every door
in his house wide open. I knew that this was the work of his life.
I was careful not to stir and remained prudently in my dark hole.
He stopped playing, for a moment, and began walking about his place,
like a madman. And he said aloud, at the top of his voice:
"It must be finished FIRST! Quite finished!"
This speech was not calculated to reassure me and, when the
music recommenced, I closed the stone very softly.
On the day of the abduction of Christine Daae, I did not come
to the theater until rather late in the evening, trembling lest I
should hear bad news. I had spent a horrible day, for, after reading
in a morning paper the announcement of a forthcoming marriage
between Christine and the Vicomte de Chagny, I wondered whether,
after all, I should not do better to denounce the monster.


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