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Leroux, Gaston, 1868-1927

"The Phantom of the Opera"


And whenever some accident, some fatal event happened, I always
thought to myself, "I should not be surprised if that were Erik,"
even as others used to say, "It's the ghost!" How often have I
not heard people utter that phrase with a smile! Poor devils!
If they had known that the ghost existed in the flesh, I swear they
would not have laughed!
Although Erik announced to me very solemnly that he had changed
and that he had become the most virtuous of men SINCE HE WAS LOVED
FOR HIMSELF--a sentence that, at first, perplexed me most terribly--
I could not help shuddering when I thought of the monster.
His horrible, unparalleled and repulsive ugliness put him without
the pale of humanity; and it often seemed to me that, for this reason,
he no longer believed that he had any duty toward the human race.
The way in which he spoke of his love affairs only increased my alarm,
for I foresaw the cause of fresh and more hideous tragedies in this
event to which he alluded so boastfully.
On the other hand, I soon discovered the curious moral traffic
established between the monster and Christine Daae. Hiding in
the lumber-room next to the young prima donna's dressing-room,
I listened to wonderful musical displays that evidently flung Christine
into marvelous ecstasy; but, all the same, I would never have thought
that Erik's voice--which was loud as thunder or soft as angels' voices,
at will--could have made her forget his ugliness.


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