And the picture of the old woman that broke her hip on the
deck--and provoked laughter, comes to me.
The second day of my occupation,--it was about eleven when the
sentinels were changed and the night was warm and bluish, the
demonstration, perhaps in my honor, was exceptionally noisy and
obscene.
"How do you like it?" asked Pashinsky gloriously, looking at me and
showing, instead of teeth, a burned-out cemetery in his mouth. "Don't
they get enough? They just went to bed--and here is the music."
"Fine!" I answered. "Why don't we shoot? It makes more noise and
frightens much more."
"We used to do so," he said with regret, "but all these burjoois, and
the popes, and the whole carrion of Tobolsk did not like it. So we
have decided for the moment not to. Nobody can forbid singing. We are
free. The air belongs to the Soviet Government."
Then he continued:
"You should have seen those little ones"--he winked his eyes--"they
got scared to death the first time we sang the "Parson's Daughter"
right near their windows! And I'll tell you...." he whispered
something in my ear.
I decided to start with him when it comes to rid the world of some of
these Reds.
"Good!" I said with extreme pleasure and tapping him on the shoulder,
"Where are their rooms?"
"Right where the white curtain hangs ... you see ... one ... two ...
three ... fourth window on the second floor.
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