Oh, yes, I recognised him instantly; there could be no mistake. And he
recognised me, for he flushed, and winced, and started back.
I suppose for a little while we were both of us speechless, speechless
and motionless, while our hearts stopped beating. By-and-by I think I
said--something had to be said to break the situation--I think I said,
'It's you, Edmund?' I remember he fumbled with a sheet of music, and
kept his eyes bent on it, and muttered something inarticulate. Then
there was another speechless, helpless suspension. He continued to
fumble his music without looking up. At last I remember saying,
through a sort of sickness and giddiness, 'Let us get out of
here--where we can talk.'
'I can't leave yet. I've got another dance,' he answered.
'Well, I'll wait,' said I.
I sat down near him and waited, trying to create some kind of order
out of the chaos in my mind, and half automatically watching and
considering him as he played his dance--Edmund Pair playing a dance
for prostitutes and drunken sailors. He was not greatly changed. There
were the same grey eyes, deep-set and wide apart, under the same broad
forehead; the same fine nose and chin, the same sensitive mouth. The
whole face was pretty much the same, only thinner perhaps, and with a
look of apathy, of inanimation, that was foreign to my recollection of
it.
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