This roguish little
god of woodland music has, besides his traditional attributes, a certain
urchin quality that is very appealing. He has just taken his pipe from
his lips, momentarily diverted by the presence of an alert lizard his
melody has attracted. The lizard is here hidden in the leafage. The arch
amusement of the whole figure, the mischievous, boyish smile upon his
face, have allurement, just lifted from the normal by the quaint
suggestion of small horns still in velvet. Here in his youth is the
wholesome, simple, poetic Pan of the earlier myths, he who grew into the
"Great God Pan," rather than the hero of the more subtle and diversified
later legends. His pertness is contrasted with the shy modesty of the
Young Nymph, the companion figure at the foot of the opposite pylon.
Detail, Spire Base
Palace of Horticulture
The Palace of Horticulture, a combination of French Renaissance with the
Byzantine, is consistently flowery in decoration. It has been given a
carnival expression. The general sculptured adornments are heavy
garlands and overflowing baskets, and profuse ornamentations of flowers.
Large flower-decked jars stand in niches; the cartouches bear the flower
motif. Suggestions of lattices and arbors appear in the low domes on the
porches surrounding the great greenhouses, reminiscent of French garden
architecture of the Great Age.
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