He feels the pulsations
growing slower, but bates no jot of his cheerful philosophy. "With one
foot in the stirrup," he writes a last farewell of noble gratitude to
the viceroy of Naples. He makes his will, commanding that his body be
laid in the Convent of the Trinitarians. He had fixed his departure for
Sunday, the 17th of April, but waited six days for Shakespeare, and the
two greatest souls of that age went into the unknown together, on the
23d of April, 1616.
The burial of Cervantes was as humble as his christening. His bier was
borne on the shoulders of four brethren of his order. The upper half of
the coffin-lid was open and displayed the sharpened features to the few
who cared to see them: his right hand grasped a crucifix with the grip
of a soldier. Behind the grating was a sobbing nun whose name in the
world was Isabel de Saavedra. But there was no scenic effort or display,
such as a few years later in that same spot witnessed the laying away of
the mortal part of Vega-Carpio. This is the last of Cervantes upon
earth. He had fought a good fight. A long life had been devoted to his
country's service. In his youth he had poured out his blood, and dragged
the chains of captivity. In his age he had accomplished a work which
folds in with Spanish fame the orb of the world. But he was laid in his
grave like a pauper, and the spot where he lay was quickly forgotten. At
that very hour a vast multitude was assisting at what the polished
academician calls a "more solemn ceremony," the bearing of the Virgin of
the Atocha to the Convent of San Domingo el Real, to see if peradventure
pleased by the airing, she would send rain to the parching fields.
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