Its streets swarm with
newsboys and strangers,--the agencies that are to bring its people into
the movement of the age.
It has a superb opera-house, which might as well be in Naples, for all
the national character it has; the court theatre, where not a word of
Cas-tilian is ever heard, nor a strain of Spanish music. Even
cosmopolite Paris has her grand opera sung in French, and easy-going
Vienna insists that Don Juan shall make love in German. The champagny
strains of Offenbach are heard in every town of Spain oftener than the
ballads of the country. In Madrid there are more _pilluelos_ who whistle
_Bu qui s'avance_ than the Hymn of Riego. The Cancan has taken its place
on the boards of every stage in the city, apparently to stay; and the
exquisite jota and cachucha are giving way to the bestialities of the
casino cadet. It is useless perhaps to fight against that hideous orgie
of vulgar Menads which in these late years has swept over all nations,
and stung the loose world into a tarantula dance from the Golden Horn to
the Golden Gate. It must have its day and go out; and when it has
passed, perhaps we may see that it was not so utterly causeless and
irrational as it seemed; but that, as a young American poet has
impressively said, "Paris was proclaiming to the world in it somewhat of
the pent-up fire and fury of her nature, the bitterness of her heart,
the fierceness of her protest against spiritual and political
repression.
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