228.)
In the most ancient Spanish romances, Renier remarks, the
definite indications of physical beauty are slight. The hair is
"of pure gold," or simply fair (_rudios_, which is equal to
_blondos_, a word of later introduction), the face white and
rosy, the hand soft, white, and fragrant; in one place we find a
reference to the uncovered breasts, whiter than crystal. But
usually the ancient Castilian romances do not deal with these
details. The poet contents himself with the statement that a lady
is the sweetest woman in the world, "_la mas linda mujer del
mundo_." (R. Renier, _Il Tipo Estetico della Donna nel Medioevo_,
pp. 68 et seq.)
In a detailed and well-documented thesis, Alwin Schultz describes
the characteristics of the beautiful woman as she appealed to the
German authors of the twelfth and thirteenth centuries. She must
be of medium height and slender. Her hair must be fair, like
gold; long, bright, and curly; a man's must only reach to his
shoulders. Dark hair is seldom mentioned and was not admired. The
parting of the hair must be white, but not too broad. The
forehead must be white and bright and rounded, without wrinkles.
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