When, therefore, we are exploring the
nature of the influence which stimuli, acting through the sensory
channels, exert on the strength and direction of the sexual impulse, we
are intimately concerned with the process by which the actual form and
color, not alone of living things generally, but of our own species, have
been shaped and are still being shaped. At the same time, it is probable,
we are exploring the mystery which underlies all the subtle appreciations,
all the emotional undertones, which are woven in the web of the whole
world as it appeals to us through those sensory passages by which alone it
can reach us. We are here approaching, therefore, a fundamental subject of
unsurpassable importance, a subject which has not yet been accurately
explored save at a few isolated points and one which it is therefore
impossible to deal with fully and adequately. Yet it cannot be passed
over, for it enters into the whole psychology of the sexual instinct.
Of the four senses--touch, smell, hearing, and sight--with which we are
here concerned, touch is the most primitive, and it may be said to be the
most important, though it is usually the last to make its appeal felt.
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